经查，唐德智丧失理想信念，背弃初心使命，贯彻落实党中央重大决策部署消极应付、弄虚作假，不履行全面从严治党主体责任；违反中央八项规定精神，接受可能影响公正执行公务的宴请；在干部选拔任用工作中为他人谋取利益，在组织谈话时不如实说明问题；廉洁底线失守，违规收受礼品、礼金；干预和插手执纪执法活动；贪欲膨胀，公权私用，伙同亲属大搞权钱交易，利用职务便利为他人在项目承揽、公司经营等方面谋利，并非法收受巨额财物。
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.